On the timeline "[TIMELINE]" (a duplicate), build a film emulation look on a single clip first: "[CLIP NAME]". Footage is [camera and log format, for example Sony S-Log3 / S-Gamut3.Cine]. Node tree, each node labeled: 1. "INPUT CST": Color Space Transform from [camera color space and gamma] to DaVinci Wide Gamut / DaVinci Intermediate. 2. "BALANCE": neutral white balance and exposure. Do not push contrast here. 3. "CONTRAST": gentle S curve, lift the blacks very slightly so pure black never happens (film rarely sits at true zero). 4. "SEPARATION": warm the skin and highlights slightly, cool the shadows slightly. Subtle, max a few points. 5. "SAT": reduce saturation in the very brightest highlights (highlight rolloff), keep mid tone saturation. 6. "HALATION" (Studio only, or skip on Free): a faint reddish glow around bright edges. 7. "GRAIN" (Studio only, or skip on Free): fine 35 mm grain, low strength. 8. "OUTPUT CST": DaVinci Wide Gamut to Rec.709 Gamma 2.4 with tone mapping. Rules: keep each node subtle, I will push it myself. Tell me which nodes need Studio. Save the result as a still and a PowerGrade named "AgentCut Film Base" and do not apply it to other clips until I say so.